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You've selected:
Matt A. Weber
Sheetmusic to print
40 sheet music found
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1
26
1,728
1,728
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Cello
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Matt A
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1,728
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Matt A. Weber
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SheetMusicPlus
Composed by Matt A. Weber. 21st Century, Contemporary Classical, Post-Modern, Minimalism, Neo-Classical. Individual Part, Sheet Music Single, Solo Part. 1 pages...
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Composed by Matt A. Weber. 21st Century, Contemporary Classical, Post-Modern, Minimalism, Neo-Classical. Individual Part, Sheet Music Single, Solo Part. 1 pages. Published by Matt A. Weber (S0.160351). - Individual Part,Sheet Music Single,Solo Part - 21st Century,Contemporary Classical,Post-Modern,Minimalism,Neo-Classical - Matt A. Weber
$1.99 ≈
1.86€
Wet Trash (Piano/Vocal)
Wet Trash (Piano/Vocal)
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Matt A
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Wet Trash
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Matt A. Weber
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1007094 Composed by Matt A. Weber. 20th Century,Contemporary. 6 pages. Matt A. Weber #2884891. Published by Ma...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1007094 Composed by Matt A. Weber. 20th Century,Contemporary. 6 pages. Matt A. Weber #2884891. Published by Matt A. Weber (A0.1007094). Wet Trash, arranged for piano and voice (soprano/mezzo soprano).
$2.99 ≈
2.79€
Talon (Full Score)
Talon (Full Score)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Matt A
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Talon
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Matt A. Weber
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1007093 Composed by Matt A. Weber. Jazz. Score and parts. 16 pages. Matt A. Weber #2884901. Published by...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1007093 Composed by Matt A. Weber. Jazz. Score and parts. 16 pages. Matt A. Weber #2884901. Published by Matt A. Weber (A0.1007093). This 12-bar blues composition was named for its sharp, aggressive nature. It uses the standard AA’B structure of a blues, but some of the chord choices in the A section are extremely unconventional. The end of the B section, however, has a very audible melodic peak that then descends towards either a repeat of the form (for improvisation) or a conclusion to the song.
$3.99 ≈
3.72€
Wet Trash (Vocal Only)
Wet Trash (Vocal Only)
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Matt A
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Wet Trash
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Matt A. Weber
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - SKU: A0.1007092 Composed by Matt A. Weber. 20th Century,Contemporary. 6 pages. Matt A. Weber #2884889. Published by Matt A....
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Vocal Solo,Voice - Level 5 - SKU: A0.1007092 Composed by Matt A. Weber. 20th Century,Contemporary. 6 pages. Matt A. Weber #2884889. Published by Matt A. Weber (A0.1007092). A mournful artistic piece about living in New York City. Written for soprano/mezzo soprano.
$1.99 ≈
1.86€
Americana Journey
Americana Journey
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Piano solo
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ADVANCED
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Matt A
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Americana Journey
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Matt A. Weber
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1007091 Composed by Matt A. Weber. 20th Century,Contemporary. Score. 10 pages. Matt A. Weber #2884887. Published by Matt ...
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Piano Solo - Level 5 - SKU: A0.1007091 Composed by Matt A. Weber. 20th Century,Contemporary. Score. 10 pages. Matt A. Weber #2884887. Published by Matt A. Weber (A0.1007091). An epic piece for piano. Takes inspiration from Aaron Copland.
$3.99 ≈
3.72€
Talon (Individual Parts)
Talon (Individual Parts)
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Jazz Ensemble
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Jazz
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Matt A
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Talon
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Matt A. Weber
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.1007096 Composed by Matt A. Weber. Jazz. Score and parts. 34 pages. Matt A. Weber #2884907. Published by Matt A. W...
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Jazz Ensemble Jazz Ensemble - SKU: A0.1007096 Composed by Matt A. Weber. Jazz. Score and parts. 34 pages. Matt A. Weber #2884907. Published by Matt A. Weber (A0.1007096). The individual parts for Talon. This 12-bar blues composition was named for its sharp, aggressive nature. It uses the standard AA’B structure of a blues, but some of the chord choices in the A section are extremely unconventional. The end of the B section, however, has a very audible melodic peak that then descends towards either a repeat of the form (for improvisation) or a conclusion to the song.
$3.99 ≈
3.72€
Menuet in D Minor
Menuet in D Minor
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Piano solo
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INTERMEDIATE/ADVANCED
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Matt A
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Menuet in D Minor
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Matt A. Weber
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1007089 Composed by Matt A. Weber. 20th Century,Baroque,Contemporary. Score. 2 pages. Matt A. Weber #2884879. Published b...
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Piano Solo - Level 4 - SKU: A0.1007089 Composed by Matt A. Weber. 20th Century,Baroque,Contemporary. Score. 2 pages. Matt A. Weber #2884879. Published by Matt A. Weber (A0.1007089). A gorgeous piece for solo piano. .
$1.99 ≈
1.86€
Cascading Rainbows in the Sky (score)
Cascading Rainbows in the Sky (score)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Matt A
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Cascading Rainbows in the Sky
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Matt A. Weber
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1007095 Composed by Matt A. Weber. 20th Century,Contemporary,Wedding. Score and parts. 5 pages. Matt A...
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String Quartet String Quartet - Level 4 - SKU: A0.1007095 Composed by Matt A. Weber. 20th Century,Contemporary,Wedding. Score and parts. 5 pages. Matt A. Weber #2884905. Published by Matt A. Weber (A0.1007095). A beautiful string quartet.
$3.99 ≈
3.72€
Build My Life
Build My Life
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Easy Piano
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BEGINNER
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Sacred music
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Housefires
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Natalie Weber
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Build My Life
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Music Matters Blog
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1156066 By Housefires. By Brett Younker, Karl Martin, Kirby Kaple, Matt Redman, and Pat Barrett. Arranged by Natalie Webe...
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Piano Solo - Level 1 - SKU: A0.1156066 By Housefires. By Brett Younker, Karl Martin, Kirby Kaple, Matt Redman, and Pat Barrett. Arranged by Natalie Weber. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 2 pages. Music Matters Blog #756377. Published by Music Matters Blog (A0.1156066). A simplified beginner piano arrangement for the young or inexperienced pianist who wants to play this beautiful worship song. Written in a 5-finger position in the key of G Major with only a few left hand notes, including two places where the left hand crosses over the right hand to play a note. Beginning pianists will enjoy singing along with this easy arrangement, adjusting rhythms and adding repeats as desired to fit the way they want it to sound or the way they are used to hearing it sung and played in their church worship service.
$4.99 ≈
4.66€
Concertino for Solo Clarinet and Clarinet Choir
Concertino for Solo Clarinet and Clarinet Choir
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Clarinet
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INTERMEDIATE
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Classical
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Carl Maria von Weber
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Matt Johnston
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Concertino for Solo Clarinet a
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ALRY Publications, LLC
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1232519 Composed by Carl Maria von We...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1232519 Composed by Carl Maria von Weber. Arranged by Matt Johnston. Classical. 61 pages. ALRY Publications, LLC #828183. Published by ALRY Publications, LLC (A0.1232519). The Concertino of Carl Maria von Weber was originally composed in Spring 1811 over the course of three days for German clarinet virtuoso Heinrich Joseph Baermann. It was a particularly productive year for Weber, as he also composed the two concertos for clarinet, a bassoon concerto, and the clarinet quintet, among other pieces. A tour with Baermann from December 1811 through March 1812 performing these clarinet works was a turning point in Weber’s career, after which his music gained popularity and was more universally accepted.Arranged here for Solo Clarinet, Eb Clarinet, 4 Bb Clarinets, Alto Clarinet/Basset Horn/Clarinet 5, Bass Clarinet, Contrabass Clarinet/Contralto Clarinet/String Bass, and optional Timpani.
$30.00 ≈
28.00€
Mary, Did You Know?
Mary, Did You Know?
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1 Piano, 4 hands
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Kathy Mattea
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Natalie Weber and Natalie Wick
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Mary, Did You Know?
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Music Matters Blog
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.506716 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Natalie Weber and Natalie Wickham. Christmas,Ho...
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1 Piano,4 Hands,Piano Duet - SKU: A0.506716 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Natalie Weber and Natalie Wickham. Christmas,Holiday,Sacred,Spiritual. Score. 9 pages. Published by Music Matters Blog (A0.506716). A beautiful elementary piano duet that fits easily in the hands and captures a lovely, artistic quality. The primo and secondo join together to create the sound of bells tolling into a quiet night announcing the arrival of the awaited Messiah. The melody is woven between both parts for the remainder of the piece, making it an enjoyable arrangement for both players.
$4.99 ≈
4.66€
Running off the Track. Song & Chorus
Running off the Track. Song & Chorus
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Piano, Voice
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W
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Place no matter whar
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Running off the Track. Song &
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester S. Levy Collect...
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Piano and voice - SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19134). Running off the Track. Song & Chorus. Composed by W. Irving Hartshorne. Published 1862 by Balmer & Weber, 56 Fourth St. in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad passenger cars, Accidents, Conversation, Fear, Travel. First line reads Scene a moonlight evening; Place no matter whar.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Sound Visions 2 for Trombone Quartet
Sound Visions 2 for Trombone Quartet
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Brass Quartet: 4 trombones
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ADVANCED
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Contemporary
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Friedbert Streller
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Sound Visions 2 for Trombone Q
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Jörg Richter
#
SheetMusicPlus
Brass Ensemble,Trombone Quartet - Level 5 - SKU: A0.799001 Composed by Friedbert Streller. 20th Century,Classical,Contemporary. Score and parts. 34 page...
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Brass Ensemble,Trombone Quartet - Level 5 - SKU: A0.799001 Composed by Friedbert Streller. 20th Century,Classical,Contemporary. Score and parts. 34 pages. Jörg Richter #6247361. Published by Jörg Richter (A0.799001). Sound Visions 2 for 4 Trombones is a composition by the Dresden author, musicologist and composer Friedbert Streller (born December 21, 1931 in Hohburg near Wurzen; † December 24, 2017 in Dresden). In addition to his musicological activities and teaching at the Dresden Music Academy Carl Maria von Weber, Friedbert Streller also devoted himself to composition throughout his life. The piece, composed in 2011, was premiered posthumously at his memorial service at the Dresden Tolkewitz cemetery by Tobias Hasselt, of the Gewandhaus Orchestra Leipzig, Eckhard Wiegräbe and Uwe Gebel, of the MDR Symphony Orchestra, and Jörg Richter, of the Elbland Philharmonic. The making of separate parts was dispensed with. Due to the complex nature of the interplay of the individual parts, it makes sense to make music from the score. Although not expressly prescribed by the composer, the use of an alto trombone is strongly recommended for performing the 1st part! (Note: The download includes 2 differently formatted versions of the piece, in DIN A4 (for Europe etc.) and in US Letter (for US). )
$25.99 ≈
24.26€
In Christ Alone
In Christ Alone
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1 Piano, 4 hands
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Sacred music
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Margaret Becker and The Newsbo
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Natalie Weber
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In Christ Alone
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Music Matters Blog
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.507624 By Margaret Becker and The Newsboys. By Keith Getty and Stuart Townend. Arranged by Natalie Weber. Easter,Pr...
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1 Piano,4 Hands,Piano Duet - SKU: A0.507624 By Margaret Becker and The Newsboys. By Keith Getty and Stuart Townend. Arranged by Natalie Weber. Easter,Praise & Worship,Sacred,Spiritual. Score. 12 pages. Published by Music Matters Blog (A0.507624). A dramatic late intermediate equal parts piano duet capturing each verse of this worshipful song.
$4.99 ≈
4.66€
I Wonder As I Wander
I Wonder As I Wander
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1 Piano, 4 hands
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John Jacob Niles
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Natalie Weber
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I Wonder As I Wander
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Music Matters Blog
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.507949 Composed by John Jacob Niles. Arranged by Natalie Weber. Christmas,Holiday,Sacred,Spiritual. Score. 7 pages....
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1 Piano,4 Hands,Piano Duet - SKU: A0.507949 Composed by John Jacob Niles. Arranged by Natalie Weber. Christmas,Holiday,Sacred,Spiritual. Score. 7 pages. Published by Music Matters Blog (A0.507949). An ensemble for piano duet and violin (or other C instrument). The piano primo is a beginner level and the secondo is intermediate. The melody is woven between each part, giving each musician an opportunity to shine while capturing the wistful quality of this Christmas favorite.
$4.99 ≈
4.66€
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instruc...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.75€
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.75€
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.75€
Mendelssohn: Wedding March for Viola & Piano
Mendelssohn: Wedding March for Viola & Piano
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95 ≈
30.75€
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.75€
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Matt A. Weber
